Tag: writing

little miracles

the sun setting closer to midnight each (still fleeting) day

the red stains of summer fruit on our lips and chins

how memories rise and fade like the blue of the tide

words like lanterns, lighting the way (after Dickinson, “I am out with lanterns, looking for myself“)

gratitude for wounds that steadfastly wake us up, day after day

looking up to see that the roses, too, still find a way to bloom every june

the willingness to move forward without knowing where we should begin

“no feeling is final,” again and again

questions that remain more interesting as questions

and endings that are not really the end

that every time you think you have lost yourself, further up the mountaintop you’ll find her again

and how i’d want you to see the view from here, with me. i’d hold out my hand.

Secret Canon

Excuse me while I drink summer through a firehose as medication for a particularly poor handling of northeast winter. A short how-to: live 17 days on a boat, snorkel every day, spend most of the time reading library books, eat slices of deli turkey straight from the not-cold-enough boat refrigerator, learn approximately 1.5 Greek words, stay awake for 1 sunset with some significant help, forget how to tie all the knots you were supposed to learn how to tie. And dance, dance! dance.

More on that later, but for now, the real reason I came here. I’m languishing (flourishing, really) in the heat of July and L. sends me an article. As I continue on my now-three-year experiment of reading mostly women, I thirst for a way to describe how I feel about suddenly understanding an entire planet, solar system, universe, black hole inside of me that I hadn’t even been able to put words to before. I’ve grown more wary of the self-centeredness of male writing, the way much of it chops life up to fit only the male author’s own tiny reality. So how much of my (our?) experience of the world would be different had we (also) been encouraged to read the secret canon, the one written from the female point of view? There are other interesting coincidences, but anyway, this piece by Audrey Wollen floored me.

I hold my women close, dead or not. Not-ness, of course, being our way of life. When I was asked to consider how men should be, I thought about how it must feel to not be not—a walking double negative. I can’t tell you how to be from this space of non-being. My boyfriend and I frequently get into arguments over my tendency to generalize. He loves specificity, context, nuance. I respect it, and I love those things too. But I usually speak in large categories, universal proclamations, talking like a manifesto even in gossip, in passing. I know stereotypes are stupid and harmful, for obvious reasons, but I’m willing to defend generalizations, as that’s all language seems like to me. A small, insufficient thing standing in for a big, complicated one.

I finally explained to him, when I talk about “men” and their power, their shortcomings, it is not for blindness to the subtleties of the individual or their circumstances. It is simply a practical solution for a lack of time. Do you want me to list every man who has done violence to me or my loved ones? I don’t know all their names. Trying to list them would be like recreating Borges’s map over a map—you know, that thing where they map the landscape so perfectly it just lays over it, doubling it. I can tell you my life in patriarchal harm, but it would take the length of my life over. I only have one.

I feel like I’m doing one of those negative space drawings in art class, tracing the air between the elbow, finding the blank edge. It is an impossible project, a feminist feeling. We spend a lot of time debating whether men should be written about, but I don’t know if “should” is the right verb. I don’t know if men can be written about, if it’s even a possibility. It’s simply not a sustainable model, as demonstrated by the impending end of the world. Every time you slice into the canon, girls rush out like ghosts. Lou, Paula, Katherine, Marina, so on and so on.

Addendum: another article explores the suggestion that women have less time to create.

I also wonder: what if we really did do the work to create a world where the sisters of Shakespeare and Mozart, or any woman, really, could thrive? What would happen if we decided women deserved the time to go to their dusky rooms and stay awhile at the kitchen table? 

The writer VS Naipaul claimed that no woman writer was his match, that women’s writing is too “sentimental”, their worldview too “narrow” – because, you know, men’s lives are the default for the human experience. 

fare la scarpetta

Full-leafed trees criss-crossed the Tuscan countryside, interspersed by flat fields of green. Every now and then the land was punctuated by grape vines.  There were hints of red leaves scattered in ribbons across the hills, and the taller cypress trees lined the roads to buildings or villages; first planted as landmarks to help find your way home. I read that cypress trees have been used as a symbol of immortality to signify sacred space and a detachment from the everyday mortal world.

For every meal, the truffle or porcini that accompanied meat or pasta was picked just that morning. “It’s mushroom season,” the locals would declare with a smile. Their happiness was infectious, as if they knew a secret. And share it with us, they did.

I return often to Pico Iyer’s reminder that our greatest aspirations and virtues have always relied on a measure of inner equanimity. Some of the best moments were sprung upon us without plan — the ones that, for example, found us gazing at a lightning storm during an otherwise calm night, all of us trying to take photos or video. Despite our varied success in capturing the lightning with our various cameras, the best success was watching it in each others’ company under the open night sky. 

Though we still had the occasional everyone-sitting-around-on-their-computers moments, there was something about the remoteness of where we were staying that reminded us to be present, to sleep in, to look up at the sky.

***

For our final meal, Francesco created delicious dishes that were served during sunset. A friend used his last slice of bread to sop up the juices of the mushroom broth. Francesco came outside at that moment and grinned while watching the sopping. “That’s precisely how to do it,” he said admiringly under his breath. “Scarpetta!”

I have heard “Scarpetta” used as a restaurant name and I don’t know enough Italian to know what he meant. I’m not sure anyone else heard him say it, but I noted it to look up for later.

The next morning at an earlier hour than we all preferred after several bottles of wine, we wiped away sleep as we said goodbye to the countryside and rode towards Florence. We watched the sun rise over the Tuscan hills, our eyes sweeping over the landscape one last time. The pink-bottomed clouds leaned against the edges of horizon and even the freshly-tilled dirt looked golden.

I remembered the word from the night before and looked it up:

“Fare la scarpetta” is a phrase in the Italian language that’s close to the heart of everyone who has enjoyed a delicious plate of pasta with sauce. Meaning “make the little shoe,” it refers to the small piece of bread used to mop up the last of the sauce on your plate.

It’s not only an essential part of an Italian meal, but it is seen as a way to extend the pleasure of the repast.

***

At the airport, we hugged each other as though we were scooping up the very last bit with all our might. Fare la scarpetta, soaking up every last drop. But also, we hugged like we knew that we’d be seeing each other again very soon. Our friends around us like cypress trees, their presence meaning we have already found our way home.