Category: writing

What It Looks Like To Us and the Words We Use (National Poetry Month)

It’s been a year since I embarked on a solo road trip along the West Coast and subsequently started a separate blog to jot down travel notes & inspiration. I also recently composed my first poem since 2009, so maybe one day I’ll finally start sharing my own poetry again. I loved what Ayana Mathis wrote about her trajectory as a writer. Like her, I started writing short stories when I was very young, then later I wanted to be a poet and I blogged my own poems in middle and high school. I’m not sure where my interest in writing my own poetry went, and my love of reading poems was sporadic but has never faded. In my day-to-day relationships, up until recently, I rarely mentioned poetry. Friends found it difficult to relate. As Jia Tolentino wrote about teaching poetry, “Not that I talk to anyone about poetry, ever. My relationship to it is sidelong and almost entirely private. I can’t write it; I read it irregularly. […] I could only locate myself as a student, with no authority, no important opinions, no sense that I was ever correct. And that, in the end, is what made me free.” Meanwhile, Ayana Mathis writes:

I was suspicious of all of the things I wanted, writing or otherwise, simply because I wanted them. And so my desires were reduced to beautiful dreams that floated through my adolescent and young adult life, only acted upon in halfhearted fits and starts. Five or six months of furious writing were followed by a year or two in which I didn’t pen a single line. I never made any real attempt at publishing my work. Better a dream deferred than hopes dashed.

I’ll blog more about Ayana’s essay soon. My friends tell me to be braver with my writing, they tell me I’m too cautious. There’s probably truth in that.

***

I collected many more quotes and poems on the other blog I created last year, but I promised to share here during National Poetry Month a few more of the poems I’ve enjoyed.

The masters of information have forgotten about poetry, where words may have a meaning quite different from what the lexicon says, where the metaphoric spark is always one jump ahead of the decoding function, where another, unforeseen reading is always possible.

– J.M. Coetzee, Diary of a Bad Year

Some little tastes of poetry for National Poetry Month after the jump below. By the way, Amazon has lots of deals on classic poetry compilations. You can also get Emily Dickinson’s complete poems on your Kindle for free!

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“A Little Life” (or, more straightforwardly: “Taiwan”)

“You couldn’t relive your life, skipping the awful parts, without losing what made it worthwhile. You had to accept it as a whole–like the world, or the person you loved.”

— Stewart O’Nan

It’s amazing how a little tomorrow can make up for a whole lot of yesterday.

— John Guare

阿姨 sits down next to me and notes admiringly that I have been glued to my book the entire trip. “You’re so studious,” she said. I’ve always loved to read, I confessed. My parents would scold me at breakfast and dinner and in the car. “Stop reading at meals, pay attention, your eyes will go bad if you read while the car is moving.”

I told her I am currently reading an excruciatingly sad novel. “Doesn’t it color your mood?” she asked. “Of course,” I responded.

“Why don’t you only read happy things then?” I laughed and shrugged. I’m reminded so much that I am too emotional anyway, why not face it head on? Someone once told me that the world is wrong to frown upon emotion and vulnerability. So many people deem it weak, but perhaps it can be considered bravery that one opens herself to feeling. I admit I probably also want reassurance that writing about sad things doesn’t preclude becoming a good writer.

I know I will always be a person who thinks about feelings too much, but there are worse things to be in this world (as we are reminded daily by the news). The sad literature and events in life are what provide contrast for us to know what contentment is. The adversity we face is what prepares us for what we need to do to attain peace.

I guess the thing about the sad novel is that it reminds me of the obscure details, the tiny things that make waves. The tiny obstacles that can turn ships, but also the tiny miracles that can turn tides.

***

For months after I bought the plane ticket, I was anxious. I was convinced that my family in Taiwan would scold me:
1. Tell me that I’ve gained weight (which is senseless to say since: of course I was going to look different. The last time I was there was over a decade ago).
2. Comment with dismay about how I am “still single” and childless.

The way I’ve learned Asian families do.

My mom insisted that my arrival to be a total surprise to everyone. I was concerned about this, too. What if grandmother is out somewhere else when we arrive? What if I give her a scare? My mom reassured me. “Don’t worry, grandmother is always there. Where would she go? And don’t worry, her heart is very healthy.”

***

Grandmother was sitting in the yard with her friend when my father and I first walked up. She did not see me at first. When it became clear the visitors were here for her, the friend helped her to stand up. Her face was cloudy, her eyes squinting through the distance to see. I called out “Grandmother, it’s me, 樂樂.”

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Sing the names of the dead who brought us here

I am struggling to find the words to describe how I feel about the events of the past 48 hours.

My parents immigrated to America in the 1970s. I feel hot tears build up as I think about the freedom that this country represented for them, for their entire families that depended on them, for the hope they upheld by investing every last penny in a one-way-ticket to get here. Everything, for the dream. They lived in trailers in South Carolina for years. They borrowed utensils from each other, made home-cooked food for their neighbors no matter the color of their skin. They didn’t speak a lick of English, yet found ways to wade through textbooks of technical and medical language. They overcame discrimination, shame, fear. They thought they could be safe here. Many others did, too. What is happening to that dream? How can we forget the freedoms our country was founded upon, how can we lose ground in our path of progress towards the fundamental truth that we are all created equal?

We cannot, we will not.

Here I am, born and raised as an American. Here I am, feigning fluency. Here I am, speechless and appalled at the events, yet ready to speak loudly in the ways I can. Donating, calling, writing, conversing, collaborating with friends to create art and dialogue. (Kristan sums it up well in her post from today.)

I’ve referenced this Elizabeth Alexander poem a couple of times on this blog and on Twitter, but here it is again. I hope we can continue to march together, into the light.

Praise Song for the Day
by Elizabeth Alexander

(A poem written for Barack Obama’s Presidential Inauguration)

Each day we go about our business,
walking past each other, catching each other’s
eyes or not, about to speak or speaking.

All about us is noise. All about us is
noise and bramble, thorn and din, each
one of our ancestors on our tongues.

Someone is stitching up a hem, darning
a hole in a uniform, patching a tire,
repairing the things in need of repair.

Someone is trying to make music somewhere,
with a pair of wooden spoons on an oil drum,
with cello, boom box, harmonica, voice.

A woman and her son wait for the bus.
A farmer considers the changing sky.
A teacher says, Take out your pencils. Begin.

We encounter each other in words, words
spiny or smooth, whispered or declaimed,
words to consider, reconsider.

We cross dirt roads and highways that mark
the will of some one and then others, who said
I need to see what’s on the other side.

I know there’s something better down the road.
We need to find a place where we are safe.
We walk into that which we cannot yet see.

Say it plain: that many have died for this day.
Sing the names of the dead who brought us here,
who laid the train tracks, raised the bridges,

picked the cotton and the lettuce, built
brick by brick the glittering edifices
they would then keep clean and work inside of.

Praise song for struggle, praise song for the day.
Praise song for every hand-lettered sign,
the figuring-it-out at kitchen tables.

Some live by love thy neighbor as thyself,
others by first do no harm or take no more
than you need. What if the mightiest word is love?

Love beyond marital, filial, national,
love that casts a widening pool of light,
love with no need to pre-empt grievance.

In today’s sharp sparkle, this winter air,
any thing can be made, any sentence begun.
On the brink, on the brim, on the cusp,

praise song for walking forward in that light.