To choose the ordinary light, or push through for radiance?
“I don’t know, I’m one of those that thinks it’s kind of nice to have your heart routinely broken so you don’t get out of practice. Then you really feel the world.”
I recorded myself reading it for Traci this morning. I figured my morning voice has enough rawness to it. I also recorded Jack Gilbert’s Tear It Down. Maybe I’ll do one in Spanish next.
* * *
Meanwhile the sea moves uneasily, like a man who
suspects what the room reels with as he rises into it
is violation—his own: he touches the bruises at each
shoulder and, on his chest,
the larger bruise, star-shaped,
a flawed star, or hand, though he remembers no hands,
has tried—can’t remember . . .
That kind of rhythm to it,
even to the roughest surf there’s a rhythm findable,
which is why we keep coming here, to find it, or that’s
what we say. We dive in and, as usual,
the swimming
feels like that swimming the mind does in the wake
of transgression, how the instinct to panic at first
slackens that much more quickly, if you don’t
look back. Regret,
like pity, changes nothing really, we
say to ourselves and, less often, to each other, each time
swimming a bit farther,
leaving the shore the way
the water—in its own watered, of course, version
of semaphore–keeps leaving the subject out, flashing
Why should it matter now and Why,
why shouldn’t it,
as the waves beat harder, hard against us, until that’s
how we like it, I’ll break your heart, break mine.
By the way, in case it wasn’t clear before, I love hip hop. The dancing, the music. This guy at the gym the other day overheard me speaking about dance and asked, “Did you dance ballet?” and I rather flippantly responded, “Do you SEE these thighs? These are hip hop thighs.”
Thanks to Yoko Sakao, who runs the urban dance newsletter project “Why Aren’t We Dancing?,” I stumbled across this amazing video of kids dancing hip hop.
And, yes, the performers are from Houston, Texas.
Reposting some particularly impressive moments that Yoko points out- the point dancer in Chicken Noodle Soup (1:18) (and guys, I seriously felt like I was the only person who learned the dance to the Chicken Noodle Soup song when it came out), and this cross stage march bit (4:08). Also one she didn’t mention, the footwork during Peanut Butter Jelly (5:22)!
Here’s the full video:
And can we talk about the soundtrack though? As Yoko writes:
It’s also hard not to get hyped when the soundtrack is full of classics, and it brings me great joy to know that these dancers are using songs that were hot before they were born (cry). I have to say though, “Peaches and Cream” and “Milkshake” [were definitely not meant as their literal definitions]… but anyway.